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Come in for a Visit, our new address is
joneill816@austin.rr.com
Jack and Edyth O’Neill
August 2 2006 Below this introduction,
newest entries are shown first.
Change
happens!
As many of you know, we have moved from our farm after fire
destroyed our beloved red cape house in May of 2005. Now we
live in the town of Fredericksburg in a new stone house which is
stark white inside and out, floor to ceiling! The challenge is
to adapt and restore our lives and our way of living, along with
restoring the fire darkened furnishings we have left and the fire
ravaged doll collection which I had assembled and loved in a
lifetime of collecting early dolls. Even so, it is not Stuff
we lost, but rather our way of life on the farm. Look here for a web
log containing
elements of this adventure, this site is directed to the many
friends I have made in antique collecting, rug hooking doll
collecting and living 76 years. Pictures and text are added from
time to time. Some of these entries are copies of letters to
other friends. Newest entries next.
June 10, 2007
Now that the yard work is settling down for the summer heat, I am
thinking more about the inside of our home. Jack is restoring and
making a new seat for a lovely old blue painted Queen Anne arm
chair. I am adding to our linens and bed coverings. A used
Matelasse bed spread in several dye baths of dark blue or navy rit
dye in the washer, looks a great deal like an old indigo linsey
woolsey to a casual glance. Use Rit Tan dye, and you have a
burtternut one. Friend Penny has dyed one of each of these and also
one in a luscious shade of coral-rust. We like using the liquid
dye. Getting a deep color with so much white fabric takes more than
one bottle of dye. Penny dyes successive times to have control over
the depth of color.
Televisions are a continuing
problem for the decorator, and they are getting larger and larger!!
For a time, we could hide them in awkward shaped cupboards, but not
these new monsters. I have been giving thought to how to enjoy them
and still put them out of sight when not on. I would like to hear
back from people with other interesting solutions.
If you can manage to have a new thin Television mounted on a wall
over a blanket chest or mantel or dry sink or other suitable
furniture, placed about as you would hang
a painting or a nice hooked
rug over the piece of furniture or mantle, here is one way to cover
it. Make a frame of 1 by 4’s or what ever depth is needed to
conceal the sides of the TV. On one side of the frame mount a
reproduction wooden blanket crane made to fit, with either a large
piece of a woven coverlet draped on the crane or a hooked rug hung
from it, or another attractive textile. Be careful not to over load
the blanket crane, it needs to be a sturdy one. It is necessary to
think ahead about the wall where the crane will swing when the
television is in use.
Since the TV’s are out in the open now and central in a room,
various ways need to be devised to cover them. A shallow wall
cupboard is one answer. Shutters, quilts, or other coverings can be
devised. Let me here what others are doing about this! Best, Edyth
April 29, 2007
I have painted this and that for a number of years, selling quite a
few primitive style paintings, which I still enjoy greatly,
but only now have decided to try plein air landscapes. I admire the
work of John Austin Hannah, Kevin MacPherson, Richard Schmidt and
others in this genre. So I feel very much a beginner in a completely
new world. Oil Painters of America will hold their annual show in
Fredericksburg TX May 10th - 13th. I am not a member, but plan to
attend as many of the demonstrations and lectures as possible, and
there are a lot! Between the painting and my work on the doll
collection, I find my time filled most pleasantly. click on
photo to see larger,
Heine is smiling because his Aunt Jeanie from Weatherford just sent
him a dear little old shirt! I can easily make his trousers, and
have shoes for him, so that will be another one dressed! One at a
time, a little bit better right along. Heine is an Andreas Voit boy
as is the one behind him, and one of the two on a shelf above him.
Best, Edyth
March 11, 2007
Dear Helen,
Here is a picture of the doll's
cupboard Jack has just finished I am thrilled with it! The height is
44 inches to give an idea of scale. I feel so very lucky that
Jack has always pampered my doll family and helped so many ways with
my collecting. I want to make some little hooked rugs in scale
with the furniture he makes. We lost several of those in the fire. I
am working on a doll size whale rug now. Of course any simple pattern you reduce
will make one. They are so nice under a doll's feet in front of a
little chair. We are getting a much needed rain tonight.
Best, Edyth (click photo to see larger)

March 3, 2007
Taking somebody apart!
This is the body from the 10 inch papier mache doll head
pictured further down the page.
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body was leaking sawdust all over so could not very well be left
as is. Question was to patch it or recover it or replace it with
something clean and sturdy. The large paper mache head was on
this body with very tightly fitted dear old shoes. I began by
taking off the sox, very holey, but charming. inside the sox,
the otherwise rag body has carved wooden feet! The feet are held
on with tiny old tacks, which DH said may be as old as mid 19th
century. Beautifully done, with distinct toes, not the least
primitive. Were they made for this doll body? My husband thinks
maybe so. Were they part of another doll or artist figure or
creche figure? I would guess that. They have never been painted.
It is amazing how closely the old old shoes fit.
The head had clearly been off the body, as the glue is yellow
but not really old brown glue. So off I took it again. The head
has a patch inside the back curls. The top of the body was a
surprise! There is made in the same piece with no seam at the
neck, a head shape! No face or indication it was ever used as a
head, just wadded up and stuffed in the neck. See photos, click
each to enlarge. The entire old head and body is hand stitched,
with back stitching for strength. The torso is cotton twill, the
legs and upper arms smooth old cotton. The worn out leather
hands, much patched, are lately attached with white thread
unlike any other on the body, obviously not original or even
with her a long time. Now to the stuffing! Some parts are
stuffed with sawdust. I will open a seam here and there and
remove that, place cotton gently and not too tightly in place
and sew the seams back together. Some parts are stuffed with
cotton, will not bother that. And the top of the body has a
great deal of wadded up newspaper, the Baltimore Clipper of
January 10 1860. Reading all the notices in that is fascinating!
One notice is about the Mount Vernon ladies society purchasing
Mt Vernon from a Washington descendant. in the sawdust of a
lower leg is a wad I think says 1861.
I am debating now what to do with the doll's interesting
inner self! I believe I will make a fresh
body for the papier mache head and dress it as planned. I have bought a
nice old dress for her. If I do that , I can keep the old body,
feet showing and head lightly stuffed and sit it around naked
with the rest of the dolls. It seems too interesting to cover
up. The newspaper will be put in a plastic sheet cover to
protect it and help flatten it.
There is a name inside the papier mache head in pencil, not really old writing, Ruth
Hancock I believe. Maybe this is the person who mended the curls
in back. Or it could be the name of the original owner.
click on any of these thumbnails to see large photos. |
   
March 2, 2007
Wanted you to see what Jack and I
have been working on. I have restored a dear old glass eyed mache
of about 1845 and Jack has made this stunning little black highboy
that is 33 inches tall. Jack plans
next to make a doll size northshore cupboard.

February 14, 2007
    
Dear Friends,
Today is a blustery
cold day here in central Texas right at the freezing mark, so I can
only imagine what it is in Maine! Rose Ellen reports new snow there
and another friend reports snow in Pennsylvania and ice to come. I have decided to make my own
sunshine and have a fun day sewing for my dolls. Looking through
bits of old calico, a group of tiny early quilt squares called out
to be made into the little quilt some child must have started 150
years ago. What precious little hand sewn squares! I bought them
over 20 years ago at an antique show in Houston. Today I have set
them together with browns from my scrap pile, including the framing
fabric from Judy Rothermel’s civil war collection. I will add an
appropriate backing and quilt the piece in my lap. Holding the
quilt top for you to see is a wax over papier mache’.
Watching all of this
and hoping for new bodies, are two lovely doll heads I think are
quite interesting for the contrast in size, but the exact same
form. The perfect tiny so called Greiner style china with brown
eyes and exquisite features sits near a great old papier mache
shoulder head 10 inches tall, with the identical brown eyes and
waves and 10 curls around her head. Both doll heads date about 1850
to 55. The large doll came wearing nice old shoes. Her homemade body
is melting, I am not sure whether I will cover it, replace it or
patch it. I believe this large head is German, just as the tiny
porcelain one is. My own guess is that she was made by Muller.
This head was obviously the inspiration for Ludwig Greiner’s doll
head of the same form patented by him in 1858. I have several
Greiners in this form. Happy Valentine’s day to each of you.
Warmly, Edyth
February 13, 2007, a day of painting.

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December 22 2006
Merry Christmas, I am back
after cataract surgery and reading pretty well again. Color is just
marvelous!!
Just have to see to make dolls and read
and paint! Precious 8 year old great granddaughter Bailey was
here today to see my dolls in their new doll cases. (Aren't all
grand children precious??!!!) I really hate to see dolls kept in
a cage, I like to have them loose to run around the room and
plop on my bed or climb to the top of the old highboy or sit in
a small chair. But my doll family has just gotten too large and
rowdy to let them run loose that way. I showed Bailey a few
different kinds of dolls and opened some of my books and
scrapbooks about them. I told her that to be a good doll
collector one must read and study the dolls and know when and by
whom they were made and what are the fine things about them.
She said "Grandmother I will!"
I wish all of us a great new year in 2007. Most of all we
hope for peace. Best, Edyth
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November 20th 2006
Dear Friends, Jack and I are planning a
nice Thanksgiving with some of our family here for lunch and more
for desert later in the day. We will take plates of turkey and
trims to Jack's parents, who avoid larger gatherings. Lillian is 89
and John is 95, still living on their own very well in a pretty
little house, with attention from us all when needed. There are 5
generations of our family in Fredericksburg now!
I am really enjoying
my painting with Nancy Martin. She comes here to the house on
Tuesday mornings and we paint side by side as she talks about why
she is doing what, and I am learning so much from her. Painting is a
life long study. Nancy is from Virginia, as my people were way
back. She likes the delft and the old furniture and the antique doll
family. At present we are doing portraits of my granddaughter
Sarah at age 4 or 5 from a photo. Sarah is a grown woman
now. I will post the pictures when we have them finished.
Today is a bright beautiful day. Jack has gone to take our
granddaughter Hailey O'Neill to school, we have her with us a few
days. Best, E
November 15th 2006 Sawdust in Rag
dolls??
As antiques dealers and collectors for a number of years my husband
Jack and I have handled many quilts and other textiles. So of course
we learned many years ago that storing them in wooden blanket boxes
or chests caused foxing (discoloration) and ultimately
disintegration. We have all heard that to frame a sampler we should
keep the textile away from wood for the same reason. It took
me a while to make the connection from this to the stuffing of bears
and dolls. Excelsior stuffed bears (all those dear old ones) and
sawdust stuffed doll bodies (think of the brown ones on many china
heads) will probably disintegrate by and by. My first bears and
first few rag dolls (1982-3) are sawdust stuffed, as I thought I was
making an authentic choice. In looking at my own old, old dolls, the
bodies that have faired best over time have been stuffed with hair,
rag scraps and cotton. Since 1985 or so, I have not used the sawdust.
What are some thoughts from others on this? Edyth
October 14th 2006 To Renee Naneman Dear Renee, thank you for writing. It is good of you to think of
us, and yes I remember your visit before. As we were not able to
restore and rebuild, we could not stay on the farm where the shop
and studio and workshop buildings were. All that is sold and
closed. We loved our way of life there on the little farm. I can
close my eyes and feel the soft noses of my goats in my hands as
they nibbled goodies. Each tree and bush and vista was dear. But
change happens and we must keep our flags flying, which I finally
seem to be doing..
I am painting some, and hope to do a nice one of my red
house someday, can't attempt it
yet with a straight face. I recently published a pattern book for
pockets and rollups, which I am wholesaling if you are interested.
I do not think anyone has them for the Houston Quilt show, although
Mad Anthony books took them to Nashville. This one has just been out
a few weeks.
All of this brings you up to date on
what's going on with us. I hope to see you an your way through
Fredericksburg to the Houston Quilt Show. Best,
Edyth
October 3, 2006
Hi Sandy, you asked about the doll I
bought on line over the weekend. She is part of the collection of
Mary Merritt's museum which has now closed after over 40 years of
operation. Jack has driven me there many times in years past to
enjoy that special collection and the lovely way they were
displayed with so many precious small things. The auction was held
in Reading and I wanted something from that museum. The entire
auction was live on line for two days, and I found I was not fast
enough on my reaction to bid live from home and catch the dolls I
hoped for except this one. I continue to spend hours
repainting the fire blackened doll heads from our own collection,
but it is so nice to add one in it's nice original finish!
Yesterday I had an
opportunity to re purchase a painted face rag dolls that I made in
1990. A friend in California me have it back. photo below, click
to enlarge. She is my take off on the
Izannah Walker dolls.
Best, Edyth

October 2, 2006
Dear Sandy, I know the Amish school
that suffered the killings is near to you. What an unbelievable
tragedy. I had an antique dealer friend, Frances Woods, in
Bird in Hand almost 40 years ago. I used to stay with Marion and
Ed Rohr on a dairy farm near Paradise. I went there for years and
years on antiquing trips. Frances had a well known shop and sold
things from that area She took me to meet Hattie Bruner and
showed Hattie some of my paintings. Frances used to sell my
primitive paintings of children in her shop and did not even want
any money for it which I insisted on anyway. I was single then and
trying to make it as an artist, and I did! Jack's father used to
make my picture frames and I met Jack through his parents. I
loved Pennsylvania then and do now, I feel so deeply for what has
happened in God's very own garden. Best, Edyth
September 12, 2006
Dear Casey,
thank you for your warm letter! The book was launched yesterday
at a local hookin, and Jack and I felt it went well, considering
that this was a group of hookers not stitchers. Many people had
very nice things to say about the overall appearance of it, and we
sold 21 singles, as well as 4 dozen to dealers, Jack also mailed
off 2 dozen while I was at the hookin, and we have orders for 15
more here that we have not yet addressed. So We are busy
with lots of people. If it were not so, I would be worried!
I will try to respond soon to your
request for photos on the blog showing our current home. This
house is a hard compromise for us, but I am trying to make
attractive groupings of nice things in it and go on with doing and
living. A year and a half after the fire, it is getting better.
Nothing will ever take the place of the old house, it was part of
us and we cannot replace it. It would not do for me to continue to
mope and make everyone around me feel bad, soon I would have no
one around me!
This may have to be the final
house for us, but in the back corners of my heart I hope something
sometime will fall into our lives that suits me better and suits
Jack well enough to be willing to move again. We all know what a
hassle it is to move!
At present it is good to have the
new book to promote and ship, this certainly keeps us busy. Take
Care, E
August 25 2006 Yeah! the
proofs on my pockets and rollups book came from the printer
yesterday. I have sent them back with a note of approval and
expect to have my new books in hand within two weeks. I will go to
San Antonio on the day the books are printed and watch as the huge
10 color Heidelberg digital press rolls out the first sheets. These
I must check for color balance and initial and then the big press,
as long as a locomotive, will roll out the book pages. It is a
champagne moment! Then a few days later when they are
covered and fastened together with the pattern insert in the middle,
Jack and I will go back to SA with a trailer and bring home a great stack of
boxes, where to put them I have no good idea!
I have my first two orders for the book this morning. See my
home page to order. Thank you!!
August 4 2006 , Hi to
Melanie, Rosie and Virginia, I
want to let you know because you Three have been so supportive
and asked many times if the book that was almost ready for the
publisher when the fire hit us, will ever make it into print. I
think so! I am formatting it and will get a figure from the
great printer we used on the first book. I hope to have it
printed soon, in time for the fall and Christmas
business. Will keep you posted. The Title is
Pockets and Rollups for my Red Cape. I hope this book
will be of interest to re enactors, quilters, and other people who
enjoy early textiles
August 2 2006 Dear Virginia and Rosie, as I worked
in my garden this morning early, I felt hugged by you both as I
looked at the Rabbit from Virginia and the bird bath from Rosie
with two doves on it. I am reminded of both of you so often, and I
feel privileged to have you for friends,
Jack has finished
the fence in the back yard and built an arbor over the entrance. We are continuing to put in plants
and move rocks around in the back yard, which is hard on everybody
in the heat of August! Transplants have to be given great care to
make it. Week by week we can see improvement, there were
only grass burrs and bad grasses last year when we first saw this
property. We have lived in it 9 months now and are getting more
comfortable right along. Today I planted garlic chives and
parsley and a gardenia.
Yesterday a mock orange, 3 dwarf white
crepe myrtles 4 rosemarys, 6 little yaupon hollies and a Russian
sage. Day before it was variegated ground cover in the front
beds. Isn't it amazing how many plants it takes to make a yard!
One of my favorites is the white rose of sharon. I have to fight
the deer off it. Have a great day, Love, E
Memories
Fall 2005
Starting over in a new house
After several months of searching for a house that felt warm and
cozy and welcoming to us, we compromised mightily and purchased a
new one in a pretty subdivision of Fredericksburg. After living with
240 year old New England pine floors and wide chestnut beams
overhead in the farmhouse, white tile and white carpet along with
arches and coffered ceilings seemed hard to accept. At
the same time we knew we were lucky to have a good safe house, again
comparing ourselves to the people who lost all in Katrina. Our
situation is lovely compared to theirs.
Jack and our daughter Beth and son in law Gary worked six weeks to
simplify the new house, sheet rocking to level the arches. taking
out extreme green countertops in favor of slate gray, removing
Italian grape wallpaper, and replacing ceiling fans in the major
rooms with candle style chandeliers from Moses Willard. A
flying saucer or something like one covered two large florescent
fixtures in the kitchen. It was removed and neat can lighting went
in. Gary put dimmers on most of the lighting, including the over
counter lights in the kitchen, saying "Mom now you have candle
light". Changing nearly all of the light fixtures made an
unimaginable difference through out.
We
moved no walls, nor made any major changes which might
compromise the integrity of the house. Rather we are warming the
interior with our collection of earth colored stoneware and red
ware, the pewter and delft and newly upholstered furniture, crewel
over some of the windows, and the beginnings of a library of books
again. It is a comfortable house, with large spaces and ample
seating for people and activities. There are guitars and a banjo
standing in a corner, and big speakers to sound our favorite
records.
Here is a note to my brother during
those weeks: Never become
involved with wall paper if it can be at all avoided! We are doing
the small bathroom this weekend and just suffering death in there.
Beth and Gary will return for another shift of it soon and we should
be done by tonight. Gary does the plumbing and unplumbing and Jack
and Beth hang and cry and I cut paper and match and measure and ring
my hands when it all goes wrong and won't stick to the wall which is
the worst of it. Someday we will laugh about all this, just not
yet!!! Have a great day. Love, Sis
The first thing our friend Helen said when she saw our new house was
"Of course you will replace the front door!!!" It was leaded glass
and very fancy and we replaced it with a paneled door painted
the green of the house trim color.
Windows in the new house were one large pane, not the divided lights
I prefer. The metal strips which give the illusion of small panes in
modern insulated windows are usually between the large panes of
glass and so are flat. Jack used car striping tape, like racing
stripes are made of, in a 5/8th inch width off white color. He
measured carefully and applied this to our window glass and now it
looks for all the world like divided light windows!
Now Jack has made a
space for his woodworking tools and is beginning to do woodwork
again. I have set up an easel by a north window so I can start
back to painting, and have a space for sewing and for rug wool. The
early furniture is shocked by its new surroundings, but the crewel
swags help over the windows. The new house is surprised at us
too, it never expected hooked rugs and baskets of wool and a large
spinning wheel, but now has them.
Greatly missed are the twenty
oriental rugs lost. We are thrilled to have a large one now for the
living room and three small ones to scatter about and cover some of
the white floor.
December 2005
Our Christmas Letter
Dear
Friends, Now that this year is ending, I look back on many
changes for Jack and myself. Among the most heart warming of this
year’s events was the tremendous response from friends and family
after fire struck our home. Your loving support made the difference.
Jack says he does not know how we would have made it through the
worst days without the people who came to help us.
Thank
you also, who wrote to us after the fire with your messages of
comfort. At two times this year we suffered serious computer
glitches and lost all email and addresses and each time some of your
warm letters went into space and were never answered. Many of the
letters in snail mail were read and enjoyed but some also went
without the full response I would like to have given them. Please
forgive me when the correspondence is more that I can manage, I love
to get them and do read over each several times. Email is always the
easiest for me. The new address is joneill816@austin.rr.com
Life
has many storms, and Jack and I have endured our personal one this
year. We think of the thousands of hurricane victims and their
suffering and continuing displacement, and give thanks that we were
not taken out of our very community. Now that we have moved into a
clean new house in town, we are unpacking and sorting papers and
books and trying to put our lives in order again. The heartbreak of
loosing our old house is still fresh but we will hold dear the
memory of those years in the little red cape for all of our lives.
We are grateful to have a house again, and plan to fill it with
grandchildren and friends and music and books and paintings and
pumpkin pies and happy memories so that soon the new one will be
home to us.
This week there is a Christmas wreath
on the front door and sleigh bells on the inside so that they sound
each time the door is opened. Let us all open the door of our hearts
to the ringing of bells and the possibility of joy in the new year.
June 17, 2006
Always a Doll In My Arms
Dear Friends, As many of you know I
am spending much of my time and effort these days restoring some
of the antique dolls that were in the fire. For the most part,
we cut away the sodden and blackened bodies with their ruined
clothing which was once so dear, and discarded everything but the
doll heads.
A very few of the bodies we
elected to keep, and one of those was taken apart today to make a
pattern for a replacement. The doll is a glass eyed papier mache'
head made by Andreas Voit, and dates not later than 1850, and is
more often thought to date about 1840. When I purchased it, it had
it's original body and clothing except shoes. The doll's torso
was made of homespun sheeting, either sturdy cotton or linen, hand
stitched and nicely made. The legs went out with last week's trash
and the arms are long gone. Now I wonder what I may have
discarded!
Jack carried the stained body to
his work bench to take it apart and save me from breathing the
dusty cotton lint. He parted the seams and eased the pieces apart
and called me to come see! The stuffing which had been used
included only a very little cotton at the top or neck portion. The
rest was filled with ravelings and bits of fabric deemed too
insignificant to use in any other way.
There on the work table lay all
the tightly wadded little bits of fabric, most of them cotton
prints, hidden away inside the doll's body for all these years, a
century and a half! What a treasure trove of little patterns, we
think more than 30 different ones, we have not counted. A few
pieces of fabric are large enough to do some tiny thing with.
A large part of the joy in loving
antique things, is discovery and study. I plan next to take some
of the fabric bits and shake them in a jar of luke warm water and
see if they can survive a gentle washing and pressing. It will be
fun to lay them out and photograph them to share with friends who
enjoy fabrics as I do! A collection like this with a pretty firm
cut off date could help to date quilts and clothing from the first
part of the 19th century. Such a collection also shows what the
Voit doll itself might properly wear. The doll was
originally clothed in a wonderful little boy's dress.
Penny Scroggins came this evening
to see our treasure. An overwhelming preponderance are
brown prints. There are bits of red and some of the lovely old
blue greens. Click to enlarge.

June 25,2006
Dear Friends, Yesterday I finished washing and ironing all the
little bits of very
soiled fabric from the doll stuffing. Some of them just melted
away. The
rest are in a nice stack of ironed pieces, ready to arrange and
photograph
and perhaps find someway to make a tiny patchwork quilt of them to
keep them
as a little collection, I am not really skilled in making such a
thing.
Many are near rotten. Perhaps putting them in a framed collage would
work?
Another question presents itself. Where was the doll body made
and
stuffed with all of this? Would I be finding the same type of mix
if it
were1845 Germany, France or the United States? Voit was a German
doll maker,
of so called French Papier Mache's??!! I must look at a map and
read and
learn more. Some of the heads were sent just as heads, and then
made into
dolls here in this country.
Yard work calls me, before the sun gets too hot, Love, Edyth
New paint and new bodies, click on pic to enlarge
Background on the dolls:
My mother had a life long interest in all dolls, including
antique dolls. She won several blue ribbons at the state fair
with her doll houses. My earliest childhood photos always
showed me with a doll in my arms. I began collecting old dolls
at the age of 23, I am past 75 now. My love then as now was the
early ones, papier mache's being the main interest, with china
heads close behind. .
Over the years. dolls came and went, graded up or repaired
and passed on, usually never more than 40 in the house at a
time. In 1980 my husband (Jack, as Irish John's are often
called.) and I moved to Fredericksburg Texas where we built a
nice business as antique dealers and craftspeople. I continued
to add old paper mache's, loving especially the Voits. We
brought a 1768 New England cape house to Texas in 1992 and
erected it on our little farm. There was a great little room
under the eves upstairs for the dolls. Each doll was a little
personality or character to us, and was named and treasured.
Jack built great doll furniture for them. Love and effort was
lavished on their clothing and setting, with small pieces of old
Redware and little books and tiny textiles like the doll quilts
and bonnets, not to mention the expensive little shoes!!
In May of 2005 while we
were in New England buying antiques for our shop, lightening
struck and the red cape burned and our lifestyle was shattered
forever. The damage to the house was beyond our means and
strength to restore. The little room under the eves got
the worst of it, Firemen battled the blaze for over 4 hours.
They handed out blackened little bodies of the dolls soaked
through and through. Prized 18th century portraits were lost and
all oriental rugs went to the dump. Our collection which had
filled the house was cut in half. (We are grateful for that
remaining half!!) It was black devastation we flew home to. I
screamed and cried as you may imagine. Many of the favorite
dolls never came out of the ruins. Of those dolls that did,
bodies and clothing were sent to the dump, and the blackened
heads set aside to dry out, It was months and months before I
could even look at them.
The farm is sold, we have found and moved into a new home in
the city now, and one year after the fire finds me buying a few
dolls while working to restore some of the blackened ones. The
china heads, of which I had only a few, cleaned up well and are
accepting of new bodies, and hopeful of new outfits. Is there
ever justification for repainting papier mache's? Serious
collectors will not have one that has lost it's original painted
personality. We have come a long way from collector Madeline
Merrill who wrote "The Art of Dolls" and who routinely repainted
paper mache's, and is so pictured. I have the head of a great
Voit boy from her collection that she had repainted, should I
not repaint him again? Could I place another lovely flirty eyed
voit boy head in the garbage? No, I am repainting them, and
calling each by name as they look at me again. What is will
never be what was and still I must try. I only hope they will
not be scorned and that someone will treasure them and give
them care when I no longer can. These little heads are
still waiting. Click pic to enlarge.

The
new book, Pockets and Rollups for my Red Cape will ship right away.
To preview and order, use the Sale page button below.
For questions about my first book, Rugs for My Red Cape,
see a full description of the book
and sample pages on the sale page button below.
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